Refereed Papers at Conferences and Symposia

Refereed Papers at Symposia

Weingarden, L. S. (presented 2016, December). Brazil’s Inhotim: Modernist Paradise and/or Political Mediation. In Historical Modernism Symposium Institute of English Studies. Symposium conducted at the meeting of University of London (UK), London, UK. (International)

Refereed Papers at Conferences

Weingarden, L. S. (presented 2018, October). Obscenity on Display: Obscuring Desire in Second Empire Paris. Paper presented at 44th Annual Nineteenth-Century French Studies Conference (NCFS), Nineteenth-Century French Studies Conference/Scripps College and the University of California, Riverside. (International)

Weingarden, L. S. (presented 2018, June). Measuring ocular Flaneurism: the eye-witness of Baudelaire and Meyon’s memory sensorium. Paper presented at Supernumerary Conference for Interdisciplinary Nineteenth-Century Studies (INCS), Interdisciplinary Nineteenth-Century Studies/Roma Tre University, Rome, Italy. (International)

Weingarden, L. S. (presented 2017, October). Modelling an Experiential Neuroaesthetics: Installation art at Brazil’s Inhotim. Paper presented at SECAC 73rd Annual Conference, SECAC/Columbus College of Art & Design, Columbus, Ohio. (International)

Weingarden, L. S. (presented 2017, July). Restoring the Graphic Image: A reassessment of Benjamin’s modelling of Baudelaire and Meryon’s ‘elective affinity.’. Paper presented at 11th Triennial Conference of the International Association of Word & Image Studies, International Association of Word & Image Studies/Universite de Lausanne, Switzerland.
(International)

Weingarden, L. S. (presented 2017, May). Installation Art and Experiential Aesthetics: A Case Study for Installation Art at Inhotim. Paper presented at International Colloquium: Word, Sound, Image, Universidade Federal de Minas Gerais, Belo Horizonte, MG, Brazil. (International)

Weingarden, L. S. (presented 2017, April). Navigating the FSU ‘Paris Art & Culture’ Program: on Campus, In Situ, and as Role-Player. Paper presented at 57th Annual Conference of the Society for French Historical Studies, Society for French Historical Studies, Washington, DC. (International)

Weingarden, L. S. (presented 2017, April). Visualizing Obscenity in Paris: Manet’s Le dejeuner, Olympia and Nana as markers of pornographic commerce and censorship. Paper presented at 57th Annual Conference of the Society for French Historical Studies, Society for French Historical Studies, Washington, DC. (International)

Weingarden, L. S. (presented 2017, March). Naturalizing Modernity: Baudelaire’s Embodied Neural Aesthetics. Paper presented at Interdisciplinary Nineteenth-Century Studies Conference, Interdisciplinary Nineteenth-Century Studies Conference, Philadelphia, PA. (International)

Weingarden, L. (presented 2016, October). Naturalizing Modernity: Baudelaire’s Embodied Neural Aesthetics. Paper presented at 42nd Annual Nineteenth-Century French Studies Colloquium, Brown University, Nineteenth-Century French Studies, Providence, RI. (International)

Weingarden, L. S. (presented 2016, June). Embodying Baudelairean Modernity: A NeuroPhysiological Model for Reifying Urban Rupture. Paper presented at Society for French Studies 57th Annual Conference, University of Glasgow, Glasgow, Scotland. (International)

Weingarden, L. S. (presented 2016, May). Visualizing Obscenity in Paris: Manet’s Le Déjeuner, Olympia, and Nana as Markers of Pornographic Commerce and Censorship. Paper presented at City of Sin: Representing the Urban Underbelly in the Nineteenth Century, European Society of Nineteenth-Century Art, Rijksmuseum Amsterdam. (International)

Weingarden, L. S. (presented 2016, April). Embodying Baudelairean Modernity: A NeuroPhysiological Model for Reifying Urban Rupture. Paper presented at 14th Annual Conference of SDN: The Body – Paris 2016 – Le Corps, Society of Dix-Neuviémistes (SDN), Reid Hall, Paris, France. (International)

Weingarden, L. S. (presented 2015, November). Cross-Contaminated Bodies: Constructing Obscenity in the Public Imaginary Contamination. Paper presented at 41st Annual Nineteenth-Century French Studies Colloquium, Princeton University, Princeton, NJ. (International)

Weingarden, L. S. (presented 2015, February). Beyond Stasis and Beauty in Neuroaesthetics: Installation Art and Experiential Neuroaesthetics. Paper presented at Art & Science: Conference on Empirical Methods in Art History and Visual Studies, University of Vienna, Vienna, Austria. (International)

Weingarden, L. S. (presented 2014, October). The Ironic Gaze as a Mode of Escape. Paper presented at 42nd Annual Nineteenth-Century French Studies Colloquium, Fuite/Évasion, Nineteenth-Century French Studies, University of Puerto Rico, San Juan, Puerto Rico. (International)

Weingarden, L. S. (presented 2014, August). Installation Art and Experiential Aesthetics: Mediating Art History and Neuroscience Research. Paper presented at Twenty-third Biennial Congress of the International Association of Empirical Aesthetics, International Association of Empirical Aesthetics, Hunter College, New York, NY. (International)

Weingarden, L. S. (presented 2014, August). Neuroaesthetics and Cognitive Poetics: Mapping Baudelairean Modernity in Neural Processing of Word and Image. Paper presented at 10th Triennial Conference of the International Association of Word & Image Studies, International Assoiatioon of Word & Image Studies, University of Dundee, Dundee, Scotland. (International)

Weingarden, L. S. (presented 2014, June). Framing an Experiential Aesthetics: The Affective Turn in Contemporary Installation Art. Paper presented at Notions esthétiques: La perception sensible Aesthetic Notions: Framing Emotional Perception, LangArts, ParisSorbonne, Paris, France. (International)

Weingarden, L. S. (presented 2013, October). The Cognitive Turn in Experiencing Installation Art: A Critique of Neuroaesthetics. Paper presented at Universities Art Association of Canada Annual Meeting, Universities Art Association of Canada, Banff, Alberta, Canada. (International)

Weingarden, L. S. (presented 2013, July). Mirroring Naturalism in Word and Image: A Critical Exchange between Émile Zola and Edouard Manet. Paper presented at Ekphrasis: From Paragone to Encounter, University of Hull, Hull, United Kingdom. (International)

Weingarden, L. S. (presented 2011, November). A Poetics of Architectural Naturalism: Louis H. Sullivan’s Romantic Intermediality. Paper presented at Romantic Intermediality Conference, University of Helsinki, Helsinki, Finland. (International)

Weingarden, L. S. (presented 2011, August). Imaging and Imagining the French Peasant: Gustave Courbet and Rural Physiologies. Paper presented at Ninth International Conference: The Imaginary, International Association of Word & Image Studies, Montréal, Canada. (International)

Weingarden, L. S. (presented 2011, June). A Poetics of Organic Expression: Louis Sullivan’s Transcendentalist Legacy in Word and Image. Paper presented at American Image/Text, University of East Anglia, East Anglia, United Kingdom. (International)

Weingarden, L. S. (presented 2009, October). Between Social Reform and Stasis: Gustave Courbet and Rural Physiologies. Paper presented at Thirty-fifth Annual Colloquium: Fossilization and Evolution, Brigham Young University, Nineteenth-Century French Studies, Salt Lake City, Utah. (International)

Weingarden, L. S. (presented 2008, July). Manet’s Realism and the Erotic Gaze: Photography, Pornography and Censorship. Paper presented at Eighth International Conference: Efficacy/Efficacité, International Association of Word & Image Studies, Paris, France. (International)

Weingarden, L. S. (presented 2007, August). Benjamin’s Elective Affinities: Re-assessing ‘The Paris of the Second Empire in Baudelaire’. Paper presented at XVIIIth Congress, International Comparative Literature Association, Rio de Janeiro, Brazil. (International)

Weingarden, L. S. (presented 2006, October). Benjamin’s Elective Affinities: Re-assessing ‘The Paris of the Second Empire in Baudelaire’. Paper presented at Sites of Engagement: Walter Benjamin in the History of Culture, the Arts and Sciences, International Walter Benjamin Association (IWBA) and the Zentrum für Literatur-und Kulturforschung Berlin, Berlin, Germany. (International)

Weingarden, L. S. (presented 2006, April). The Photographic Subversion: Benjamin, Manet and Art(istic) Reproduction. Paper presented at Annual Conference, Association of Art Historians, Leeds, England (International)

Weingarden, L. S. (presented 2005, October). Exposition Architecture as Museal Display: The Chicago World’s Fair and Sullivan’s Transportation Building. Paper presented at World’s Fairs, Expositions, and Contemporary Museum Practice, Association of Museum History and the Smithsonian Institution Fellowships Program, Smithsonian Institution, Washington, D.C. (International)

Weingarden, L. S. (presented 2005, September). Modernizing History and Historicizing Modernity: Baudelaire and Baudelairean Representations of Contemporaneity. Paper presented at Seventh Triennial Conference of the International Association of Word & Image Studies, IAWIS and the University of Pennsylvania, Philadelphia, PA. (International)

Weingarden, L. S. (presented 2004, October). Re-viewing Baudelaire’s Paris: Photography, Modernity and Parody. Paper presented at Writing and Seeing Conference, Universidade do Porto, Porto, Portugal. (International)

Weingarden, L. S. (presented 2004, August). Re-Viewing Benjamin’s Auratic/Erotic Gaze: Manet’s Olympia and Dejeuner and Censored Photography. Paper presented at Sites and Territories of Art History: 31st Congress of the International Committee of the History of Arts Montréal, Comité International d’Histoire de l’Art, Montreal, Canada. (International)

Weingarden, L. S. (presented 2004, June). Reflections on Baudelaire’s Paris: Photography, Modernity and Memory. Paper presented at Fiftieth Annual Congress, Society of French Historical Studies, Paris, France. (International)

Weingarden, L. S. (presented 2002, July). The Mirror as a Metaphor of Baudelairean Modernity. Paper presented at Sixth Triennial Conference of the International Association of Word & Image Studies, IAWIS and Hamburg University, Hamburg, Germany. (International)

Weingarden, L. S. (presented 2000, September). Baudelairean Modernity and Mirrored Time. Paper presented at Thirtieth International Congress, Comité International d’Histoire de l’Art, London, England. (International)